The History and Impact of the Black Rep in St. Louis

Driving economic growth and cultural impact through Black arts

The St. Louis Black Repertory Company (The Black Rep) has been a cornerstone of the local and national theatre scene for nearly five decades. Established in 1976 by Producing Director Ron Himes, The Black Rep is committed to producing and reimagining works by Black playwrights while creating opportunities for emerging voices and youth. The organization has grown into a leading force in the fight for more equitable representation in the theatre industry. Focusing on better opportunities and resources for Black professionals and students, both on stage and behind the scenes, it also aims to foster a community culture of support and mentorship.

The company’s roots trace back to Himes’ vision while a student at Washington University. Frustrated by the lack of work produced by Black writers and the marginalization of Black students in the university’s theatre department, he founded the Phoenix Theatre Troupe. Initially a student-run company, it toured college campuses, community centers and art and theatre festivals, laying the foundation for what would become The Black Rep. In 1980, the organization took its first major step toward permanence by moving into the former Greely Presbyterian Church and converting its sanctuary into the 23rd Street Theatre, more fondly known as The Miracle on 23rd Street.

In 1986, The Black Rep made history as the only African American theatre in the Midwest to operate under contract with the Actor’s Equity Association. It moved again in 1991 to Midtown St. Louis, following a multimillion-dollar renovation of the former First Congregation Church building. In 2003, it was producing a single production each season, but by 2013, it expanded to perform three major productions annually at the Edison Theatre on the Washington University campus. These performances aimed to highlight works from primarily African American playwrights, as well as voices from throughout the African Diaspora.

In 2020, The Black Rep received support from The Black Seed, a national initiative focused on advancing the impact of Black theatre institutions. That same year, it forged a partnership with the Nebraska Repertory Theatre. This collaboration features streamed performances alongside conversations with actors, scholars, activists and audiences, all of which grow community engagement.

Throughout its storied history, The Black Rep has received numerous accolades. Awards have been given not only to its productions, but also to its Producing Director Ron Himes, as well as its talented actors and technical staff. Many of its productions are unique to The Black Rep, not being found anywhere else in the country. As a not-for-profit organization, The Black Rep maintains its mission to nurture a culture of mentorship and support for current and future generations of Black theatre professionals.

This season, its 48^th, started with a production of Chicken & Biscuits, which finished its run on January 26^th. Currently playing is the show Coconut Cake. Next up will be The Wash in March, which is based on a true story about America’s first successful-interracial organized labor strike. In May, it will produce Radio Golf, which is August Wilson’s 10^th play in his American Century Cycle and the final work he made before his death in 2005.

Besides shows, The Black Rep also offers performing arts workshops, summer performing arts, teen tech training and fellowships, as well as volunteer opportunities.